![]() Bar sheets show the relationship between the on-screen action, the dialogue, and the actual musical notation used in the score. If a film relies heavily on music, a bar sheet may be prepared in addition to or instead of an X-sheet. He creates what’s called an exposure sheet, which is a printed table that breaks down the action, dialogue, and sound frame-by-frame as a guide for the animators. Meanwhile, the background and color stylists and art directors will do similar work to setup the locations, determine the art style and color schemes to be used in the project.Īt the same time, the timing director, who is usually the main director, takes the final animatic and analyzes what poses, drawings, and lip movements will be needed on what frames. That’s when macquettes are produced, they are small statues that depict a character in the 3D space. It’s necessary sometimes to see how certain characters look like in three dimensions to get a better understanding of a character’s design. ![]() These model sheets show the designers how every character or object looks from different angles with a variety of poses and expressions, so that all artists working on the project can deliver the same output. When the animators and the directors decide on a certain animatic, they send it along with the approved storyboards to the design department, so character designers can prepare model sheets for different characters and objects in the animation. This could prevent animating scenes that could be edited out of the film, avoiding a potential loss in time and money. This process could result in creating new versions of either the storyboard or the soundtrack, or both, and creating a new animatic for review until everything is perfected to the desired extent. This stage helps animators and directors to identify any script or timing issues that could exist with the produced storyboard and fix them as needed. An animatic is usually a sequence of images or sketches, in the form of a storyboard, arranged with a soundtrack, and produced right before the full animation begins. The scratch track used during animation, however, normally contains just the voices, the vocal songs to which characters sing along, and some temporary musical score tracks, with the final score and sound effects added during post-production.Īfter the soundtrack is created, an animatic or a story reel is made to determine the overall effectiveness of the animation before finalizing things. This is due to the slow systematic way in which traditional animation is produced, so it’s almost always easier to synchronize the animation to an existing soundtrack, than it is to synchronize a soundtrack to an existing animation.Ī full soundtrack will contain music, sound effects, and dialogue performed by voice actors. Voice recordingĪ preparatory soundtrack is often recorded before true animation begins, so that the animation can more accurately synchronized to the soundtrack. It helps the animators to set plans for the animation plot and defines the composition of the imagery. This process is often repeated many times before reaching the final desired outcome. The drawings are displayed in a certain sequence, so the viewer can pre-visualize the animation. A storyboard is a collection of hand drawings and words that tell a story, similar to large comic strips. The storyboarding process was originally developed at Walt Disney Productions in the early 1930s, and it’s usually the first step in making traditional animation. ![]() Traditional animation process Storyboards The traditional process used to be expensive and time consuming, requiring lots of money to be spent on materials and human labor depending on how many cells and backgrounds need to be created. Followed by digitally colorizing these drawings and also simulating camera work, then finally processing the output to allow the film to be exported in different formats, like the old 35mm film or digital video.Ĭomputers have also lowered the costs of the animation process by eliminating the need for materials like acetate sheets and inks. Special computer software has made it possible for drawings to be directly drawn or scanned into the computer system. ![]() This allows the animator to reuse the drawings without having to fully re-draw components for each frame.Ĭomputers now facilitate this animation process, making the traditional cel drawing process nearly obsolete by the beginning of the 21st century. The animator draws some frames on cellulose sheets designed for drawing, then these cels are laid over other ones to be photographed. ![]()
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